Basedon the title alone I think it seems fairly obvious that you would take the A7III over the A7II given it's a newer and more impressive camera. My question is do you think it's worth double the cost? A Sony A7II body can be picked up for about ÂŁ900 new just now compared to the ÂŁ1800 of the
Disclosure As an Amazon Associate I earn from qualifying purchases made through links on this site. I may also earn from links to other online retailers at no extra cost to you. When the Sony a7III was announced back in March 2018 it took many by surprise. Packing a feature set that placed it very close to Sony’s flagship a9, this is a camera that has most likely given the managers at Canon and Nikon a number of sleepless nights ever since its launch. So how does it compare against its much loved predecessor the a7II ILCE-7M2? Well, I don’t think I’m exaggerating here but it blows it away! I’ve also heard it being called a baby a9 which is very high praise indeed but as good as it is, it isn’t a replacement for the a9 with its stacked sensor. In this comparison article I’m going to take a closer look at the 12 key differences between the Sony a7II and the new a7III. At the launch event Sony called the a7 III their “basic” full frame model, but it’s definitely anything but basic. Related comparison articles a7 III vs a7R III a7 III vs a9 1. Image Sensor and Processor The a7 III gets a new version of the Exmor R CMOS sensor, which uses a back-illuminated and gapless on-chip lens design similar to that found in the a7R III. The sensor is combined with the latest BIONZ X image processing engine and front-end LSI, allowing the a7 III to achieve a readout speed that is two times faster and data processing capability that is times higher than that found in the a7 II. The a7 III like the a7 II does still include an optical low-pass filter anti-aliasing filter. The 5-axis image stabilization has also been improved, but just a little. It now achieves a shutter speed advantage compared with steps in the a7 II. Start-up is also approximately 40% faster than with the a7 II when the camera is switched on. 2. Dynamic Range and ISO Performance The new sensor and image processor also help to give the Sony a7 III up to a improvement in dynamic range over the a7 II. Standard ISO range has been extended to ISO 100-51200 expandable to ISO 50-2048006 for stills, helping to make it a lot more capable in low light situations. This compares with ISO 50–25600 in the a7 II. 3. The Camera Body The a7 III inherits a very similar body but not identical to the one found on the a7R III and flagship a9. So you’ll be pleased to know that the a7 III includes the same AF joystick that makes moving the focus point around easier than ever before. There’s also now a dedicated AF-On button that can be used for back button focus or customized to your liking, as well as a Protect/Rate button. A big plus for many photographers will be the dual SD card slots. The movie record button has also been relocated to near the viewfinder. The a7 III weighs in at approx. 1 lb. oz / 650g, making it around 51g heavier than its predecessor. The width and height are the same, but it does go from to in depth to accommodate the larger Z series battery. Like the a9 and a7R III, the new body is dust and moisture resistant, so it should withstand a rain shower, but it’s most definitely not waterproof. The new body along with revised menus should help to make the a7 III much easier to configure and use. 4. Autofocus System Sony says the AF system is derived from the one in the a9 and performs twice as fast as the one found in the a7 II. The a7 III features 693 phase-detection AF points that cover approximately 93% of image area same as in the a9, plus 425 densely positioned contrast-detection AF points to improve focus. The a9 only features 25 contrast detection points, so the a7 III outshines its larger and more expensive brother here! This is definitely a huge step forward from the 25 contrast-detect and 117 phase-detect points found in the a7 II. But don’t let these figures fool you into thinking that the autofocus system is better than that in the a9, it’s just not, but more on this in another article coming soon! With the a7 II, when the aperture is greater than F8 in continuous shooting mode, the focus is locked to the setting in the first shot. With the a7 III however, you can shoot up to and including F11 before the focus is locked to the settings in the first shot. This really gives the a7 III the edge when shooting at higher apertures in continuous mode. Eye AF only worked in single shot focus mode on the a7 II, but on the a7 III it now also works with continuous shooting, as demonstrated in this video by DPReview 5. Shutter, Continuous Shooting, & Buffer The Sony a7 III now gets an electronic/silent shutter, which is brilliant for shooting wildlife in silence, shooting weddings when you need to be as quiet as a mouse during the ceremony, or any other event where shutter noise is frowned upon. Continuous shooting jumps from 5fps in the a7 Mark II to a massive 10fps for both mechanical and electronic shutters in the a7 Mark III. But if you want to use live-view mode then you are limited to 8 fps. The A7 III supports live view with blackouts but only at 8fps. Like the a7R III you can also shoot 14-bit RAW files at 10fps and in silent mode, but only in uncompressed RAW, if you change to compressed RAW then this drops to 12-bit. It also drops to 12-bit if you have long exposure noise reduction turned on. The buffer supports up to approximately 177 JPEG standard images, 89 compressed RAW images, or 40 uncompressed RAW images in one continuous burst. This compares with 52 JPEG, or 28 compressed RAW images when shooting continuous on the a7 II. Anti-flicker technology has also been added to the a7 III that automatically detects flicker from fluorescent and other artificial lighting and shutter action is timed to minimize the flicker’s effect on still images. With the a7 III you can also access the menu, change settings, and view images whilst data is being written. 6. Video Specifications The a7 III now supports 24p/25p 4K video recording with zero sensor crop, which is achieved by capturing 6K then down sampling to 4k. At 30p recording is captured at roughly 5k, so there is a slight crop of crop. The camera offers both S-Log2 and S-Log3 gamma curves for shooting wide dynamic range scenes or Hybrid Log Gamma for playing back directly on high dynamic range HDR displays without the need for post-processing. Both internal video capture and HDMI output remain limited to 8-bit, which can limit the degree of processing flexibility for Log footage. Internal recording is up to 100 Mbps 8-bit 420, while HDMI out is 8-bit 422, meaning twice the color resolution. You also get a feature found on the a7R III and a9 called Slow and Quick Motion S&Q. This allows you to select between 1fps and 120fps for slow or fast motion clips. Here’s a video from Sony to demonstrate its Full frame 4K HDR HLG capabilities 7. View Finder / LCD Screen The a7 III uses the same million dot OLED viewfinder as its predecessor, resulting in a 1024 x 768 image, rather than the higher-resolution versions found in the a7R III and a9. However, updated optics mean the panel now provides a larger view with magnification, up from on the a7 II. The LCD screen is now with 922k dots, compared with and 922k dots on the a7 II, not a big improvement, but the a7 III does now gain the same touch screen as found in the a7R III and a9, allowing you to focus instantly on a point that you touch on the screen and easily move around image previews, you can also double tap to magnify when focusing manually. The LCD tilts up by as much as 107°, and down by as much as 41°, but I’m afraid it doesn’t flip out forwards. 8. Larger Battery One of the most hoped for improvements is the larger NP-FZ100 battery which replaces the NP-FW50. The NP-FW50 was rated at a capacity of 1020mAh, whilst the new NP-FZ100 battery is rated at 2280mAh. This provides over double the capacity of the old battery. Official Sony figures are 710 shots with LCD screen vs 390 shots of the a7 II. The new NP-FZ100 is exactly the same battery that both the Sony a9 and the a7R III use, and it really does make a BIG difference. I can shoot all day with my a7R III and a9, and still have a little juice left over. That said, I’ll still carry a spare battery just to be safe! You might be tempted to order a cheaper third party battery for the a7III, but please be aware that with the latest a7III firmware if you try to use a non-genuine Sony battery you will get a warning message that says “the operation and safety of this battery cannot be guaranteed”. You can ignore the warning by pressing OK and the batteries will still work, however the percentage remaining indicator next to the battery icon disappears so you won’t know how much battery you have left. This appears to be the case for all popular NP-FZ100 third-party batteries including Wasabi, Patona, Newell, and Baxxtar. You can order a genuine Sony NP-FZ100 battery through Amazon. 9. Media Card Slots Worrying about a card failing during an important shoot such as a wedding is now thankfully a thing of the past, that’s because the a7 III now includes dual SD media card slots. However, just like with the a9 and a7R III, only one of these slots is actually UHS-II compliant. The addition of dual-slots gives you multiple recording options you can either write to a single card, write to both cards simultaneously, write jpegs to one card and RAW files to the other, or video to one and stills to the other. If you do purchase the a7III, then you might find my guide on how to setup dual sd card recording on the Sony a7III helpful. 10. Physical and Wireless Connections The addition of USB Type-C and Multi/Micro USB ports allows the connection of external batteries to power the camera for extended shooting, and accessories such as a remote control unit can be used via Multi/Micro USB port while power is still supplied via the USB Type-C port. The USB Type-C also allows for high-speed PC Remote transfer of large RAW data files, so you can quickly review images on a PC with Sony’s Imaging Edge software and continue shooting without delay. Wireless LAN is built in, and you also get NFC and Bluetooth. When paired with the PlayMemories Mobile App you will be able to acquire location data, which can then be recorded on still images. There are also headphone and microphone connectors, and micro a HDMI output. 11. Custom Menu The a7 III now gets the same improved menu as you’ll find on the a7R III. This allows you to register up to 30 frequently used items on the new “My Menu” for instant recall, allowing you to create and customise an optimal menu for your own convenience. The a7 III has primary menus reorganized for easier searching, with group names and page numbers at the top of the displays. 12. Price The Sony a7II body-only currently costs around $1,398 / £1,199 while the new a7III costs $1,999 / £1,999 for the body-only, making it a good $600 / £800 more expensive. Add the kit lens SEL2870 and the price goes up to $2199 / £2200. Please bear in mind that these prices may drop if there are deals running at the time. You can check the latest prices using the links below. Conclusion The Sony a7 III is a camera that offers significant improvements over the a7 II. Many of the improvements that people have been asking for are now here and more! I’m fortunate to own the a7 III, a7R III and a9, and I really am blown away by just how close this camera comes to its much more expensive siblings. Sure, it doesn’t offer the high resolution capabilities of the a7R II or III, but not everyone wants or needs Even for landscapes megapixels is plenty for most people. If you shoots sports professionally then the a9 with its anti-distortion shutter, 20fps and much larger buffer is probably still going to be your first choice if you have the money to burn, but the a7 III is still very capable of freezing any action you put in front of it. If you are considering taking your first steps into the world of full frame photography, then the a7 III is a camera that you will seriously want to consider. And if you already own the a7 II you probably already know whether you will be making the upgrade or not. But what if the a7 III is just out of your budget? Although it’s a brilliant camera, it’s not worth robbing a bank for or getting into debt. Thankfully the Sony a7II is still a brilliant camera, you only need to read the reviews on Amazon to see this. For landscape photography, portrait, weddings, street, architecture it’s still more camera then you will most likely ever need. However, if you are wanting to shoot sports or other forms of fast action then the a7 II would not be my first recommendation at this price point, instead I would be looking at the Sony a6500. If you do decide to go for the a7 III then you might find my Sony a7III Accessories Guide or my Sony a7III Lenses Guide helpful. I’ve also published a small collection of Sony a7III Sample Images that I have taken with a few different lenses. Finally, if you have a few seconds to spare then I’d really love to hear which camera you decided to go for in the comments below.
Pertama kali diperkenalkan secara internasional pada Januari lalu, Sony Alpha 1 kini telah resmi meluncur di Indonesia.Alpha 1 adalah kamera mirrorless full frame tercanggih dari Sony.. Perusahaan asal Jepang itu pun sesumbar bahwa Alpha 1 menghadirkan gabungan resolusi tinggi dengan kecepatan tinggi pula, yang sebelumnya belum pernah terwujud.

125 caracterĂ­sticas comparadasSony A7CSony Alpha a7 IIIPor que Sony A7C Ă© melhor que Sony Alpha a7 III?Bateria com duração 130shots maior?740shotsvs610shots141g mais leve?509gvs650gVersĂŁo do Wi-Fi?Wi-Fi 5 Wi-Fi 4 4 menor? Bluetooth?Tem uma sapata avançada? mais curto? mais fino? que Sony Alpha a7 III Ă© melhor que Sony A7C? menos ruĂ­do em ISO elevado?3722 ISOvs3407 ISOVelocidade mĂĄxima do obturador 50% maior?1/8000svs1/4000sTem ranhuras duplas para cartĂ”es?Permite fazer fotografia panorĂąmica?Canon EOS 5D Mark IV + Canon EF 24-105mm f/4L IS USMCanon EOS RP + Canon RF 24-105mm f/ IS STMNikon D7500 + Nikon AF-S DX Nikkor 18-140mm f/ ED VRSony Alpha a6500 + Sony Vario-Tessar E 16-70mm f/4 ZA OSS T*Sony A6400 + Sony E 18-135mm f/ OSSNikon D600 + AF-S NIKKOR 24-85mm VRCanon EOS Rebel SL2 + Canon EF-S 18-55mm f/ IS STMAvaliaçÔes de usuĂĄriosClassificação geralSony A7C1 AvaliaçÔes de usuĂĄriosSony AvaliaçÔes de usuĂĄriosSony Alpha a7 III5 AvaliaçÔes de usuĂĄriosSony Alpha a7 AvaliaçÔes de usuĂĄriosRecursoDesignTipo Desconhecido. Ajude-nos sugerindo um valor. Sony A7CO tipo de tipo de visor que a cĂąmera dispositivo tem proteção adicional para evitar falhas causadas por poeira, pingos de chuva e respingos de maior resolução de tela permite proporciona imagens mais nĂ­tidas, aprimorando o modo como vocĂȘ enxerga suas fotos na EVF Desconhecido. Ajude-nos sugerindo um valor. Sony A7C Desconhecido. Ajude-nos sugerindo um valor. Sony Alpha a7 IIIUm visor eletrĂŽnico EVF, do inglĂȘs "electronic viewfinder" de maior resolução fornece imagem mais nĂ­tida, produzindo visĂŁo de qualidade comparĂĄvel Ă  de um visor motor de foco move a lente para promover foco automĂĄtico. Em cĂąmeras profissionais, a presença de um motor de foco no corpo da cĂąmera permite que se use vĂĄrios tipos de lentes, incluindo lentes que nĂŁo tenham seu prĂłprio motor de foco. Para cĂąmeras compactas, o motor de foco Ă© geralmente giratĂłrias podem ser Ășteis para enquadramentos uma cobertura de imagem de 100% vocĂȘ pode compor a imagem corretamente quando tira a foto. Com uma cobertura menor vocĂȘ poderĂĄ ter de cortar suas fotos depois para que fiquem maior o tamanho da tela, melhor a experiĂȘncia do dos aspectos mais importantes de uma cĂąmera Ă© o tamanho de seu sensor. Um sensor maior irĂĄ capturar mais luz, o que resulta em melhor desempenho com pouca luz, faixa dinĂąmica e qualidade geral de mais pontos de foco, maior Ă© a flexibilidade em selecionar em qual parte do cenĂĄrio focar. TambĂ©m dĂĄ ao sensor de imagem uma melhor probabilidade ao identificar a ĂĄrea correta do cenĂĄrio para focar nos modos nĂșmero de megapĂ­xeis determina a resolução das imagens capturadas com a cĂąmera principal. Um nĂșmero maior indica que a cĂąmera Ă© capaz de capturar mais detalhes. No entanto, a quantidade de megapĂ­xeis nĂŁo Ă© o Ășnico fator que determina a qualidade de uma maior sensibilidade Ă  luz nĂ­vel ISO, o sensor absorve mais luminosidade. O recurso pode ser utilizado para capturar imagens de objetos em movimento, usando o obturador em maior velocidade, ou para capturar imagens em ambientes de baixa luminosidade sem o uso de ISO expandido permite que vocĂȘ vĂĄ alĂ©m do ISO base. Ele faz isso aprimorando digitalmente a saĂ­da da imagem. A imagem resultante terĂĄ menos qualidade do que quando permanecer dentro da faixa ISO base, mas pode ser Ăștil em certas um estabilizador de imagem, o sensor de imagem e nĂŁo a lente se move para compensar qualquer vibração da cĂąmera. Isso significa que a imagem serĂĄ estabilizada independentemente da lente disparo contĂ­nuo rĂĄpido Ă© Ăștil para capturar imagens de o rastreamento AF, uma vez escolhido o objeto e pressionado o obturador atĂ© a metade, se o objeto se mover, o foco automĂĄtico irĂĄ segui-lo. Sem mais disparos fora de resolução mĂĄxima disponĂ­vel para vĂ­deos capturados com a cĂąmera principal. Embora possa ser possĂ­vel optar por outras velocidades de gravação, essas opçÔes costumam gerar vĂ­deos em menor sistema de focagem automĂĄtica por detecção de fase Ă© mais veloz que um sistema de focagem automĂĄtica por detecção de contraste. Mesmo ao gravar cenas com muitos movimentos rĂĄpidos, os vĂ­deos sĂŁo nĂ­tidos e gravação os vĂ­deos mantĂȘm-se nĂ­tidos e entrada para microfone permite a conexĂŁo de microfones externos avançados ou esse conector padrĂŁo, vocĂȘ pode conectar a maioria dos fones de ouvido ao seu estĂ©reo permitem a gravação de arquivos de ĂĄudio ou vĂ­deo em sistema estĂ©reo sem o uso de microfone função timelapse mostra uma longa passagem de tempo accelarada. Uma sĂ©rie de fotografias tiradas na mesma posição durante um longo perĂ­odo sĂŁo ligadas para criar um pequeno vĂ­deo. É uma Ăłptima maneira de capturar coisas como o pĂŽr-do-sol ou as nuvens a moverem-se no maior o bitrate de gravação de video melhor a qualidade do video, com mais e melhor detalhe e menos artefatos de mais microfones um dispositivo tiver, melhor a filtragem de ruĂ­dos de fundo e melhor a qualidade de gravação de som em CIPA Ă© uma medida padrĂŁo e independente que determina quantas fotos a cĂąmera pode tirar antes que a bateria bateria Ă© removĂ­vel e, se quebrar, pode ser trocada pelo usuĂĄrioA bateria pode ser recarregada e utilizada indicador lhe mostra quando o dispositivo estĂĄ com pouca capacidade da bateria representa a quantidade de energia elĂ©trica que uma bateria pode armazenar. Maior capacidade pode indicar maior vida Ăștil da dispositivo pode ser conectado a redes Ă© uma tecnologia sem fio que permite transferir dados com facilidade entre diferentes dispositivos, como smartphones, tablets e duas ranhuras para cartĂ”es de memĂłria, permitindo que vocĂȘ guarde mais fotos sem precisar trocar cartĂ”es. Isto Ă© particularmente Ăștil em sessĂ”es de fotografia mais longas em que vocĂȘ precisa de mais cĂąmera pode tirar uma sĂ©rie de fotografias, deslocando ligeiramente o sensor com cada uma delas. Estas podem entĂŁo ser combinadas para criar uma imagem de resolução extremamente alta. É particularmente Ăștil para coisas como fotografar obras de arquivo de imagem RAW contĂ©m dados minimamente processados a partir do sensor de imagem. Os ficheiros RAW sĂŁo assim chamados porque ainda nĂŁo foram processados e, portanto, ainda nĂŁo estĂŁo prontos para ser impressos ou editados com um editor de imagens capaz de tirar fotos em formato lossless compressed raw. Isso tem todas as vantagens de fotografar em raw, ocupando muito menos espaço de armazenamento. O tamanho de arquivo menor tambĂ©m permite velocidades de leitura/gravação mais versĂ”es de Wi-Fi suportadas pelo tecnologia permite que o usuĂĄrio utilize o prĂłprio smartphone como controle remoto para o com entrada HDMI ou mini HDMI podem transferir vĂ­deo e ĂĄudio em alta resolução para um D850 + Nikon AF-S Nikkor 24-120mm f/4G ED VRSony Alpha a7 III + Sony FE 24-105mm f/4 G OSSSony Alpha a9 + Sony FE 24-70mm GMCanon EOS 5D Mark IV + Canon EF 24-105mm f/4L IS USMSony Alpha a7 III + Sony FE 28-70mm f/3__5-5__6 OSSSony Alpha 7R III + Sony FE 24-70mm f/4 ZA OSS Vario-Tessar T*Exibir tudo

PertamaAlpha A7 itu sendiri dengan sensor CMOS 24,3-megapixel yang ideal untuk foto dan video. Saat ini harganya semakin terjangkau, A7 dengan paket lensa FE 50mm f/1.8 bisa ditebus seharga Rp13 juta - harga yang sama dengan Alpha A6300. Foto: Sony.co.id. Kedua Alpha A7R dengan sensor CMOS beresolusi tinggi 36,4-megapixel, kamera ini dirancang Adapunkamera yang Sony tidak lagi menerima pesanan termasuk Sony a7C, a7II, a6400, a6600, dan ZV-E10. Mereka juga akan menghentikan produksi a7II dan a6100. Sebagai pengganti a7ii, Sony telah meluncurkan penerus dalam bentuk seri a7iii dan a7iv, jadi masuk akal jika Sony akan memprioritaskan model tersebut daripada a7ii. ADAPTERAUTOFOCUS METABONES SONY A7II SONY A7III SONY A7RII SONY A7SII di Tokopedia ∙ Promo Pengguna Baru ∙ Cicilan 0% ∙ Kurir Instan. Ive noticed so many of you have been asking me recently wether you should go for the Sony A7II or A7III, so I really hope today's video is helpful in making mBKX.
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  • perbedaan sony a7ii dan a7iii